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<title>Malice and injustice exist by design | jimishol's website</title>
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Malice and injustice exist by design
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Aristotle - 384–322 BC
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<p>Welcome to my blog, that is created by <a href="https://gohugo.io/">hugo</a> and theme of <a href="https://github.com/theNewDynamic/gohugo-theme-ananke">ananke</a>.
This is a centralized place of my thoughts and interests.
You can read some of these below.</p>
<p><a href="https://www.gnu.org/licenses/gpl-3.0.en.html">LICENSE</a>
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Recent Articles
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<img src="https://jimishol.github.io/tonality/umbilic-down.png" class="img" alt="image from Tonality structure in music">
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Tonality structure in music
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The systematic recording of thoughts on musical harmony led to the placement of the twelve musical tones on a constructible three-dimensional surface of an umbilic torus. To this visualized link of mathematics and music I gave the personal name Cholidean harmony structure.
The course of creation of the above link is recorded in pdf file. The broader background to its creation is set out at the beginning of this discussion.
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Greek characters in librecad design program
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At one time, when I was working, I used librcad. When I first used it, I had difficulties printing Greek text on drawings. I don’t need librecad anymore, but I ran it recently, out of curiosity to see if Greek fonts is now integrated without problems. Despite the six installed Greek fonts, I couldn’t write Greek comfortably (at least with the MText command).
In a post of mine, I mentioned that, to solve the problem, I reorganized greeks.
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Autobiographical sonata
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About three and a half decades ago, before the advent of computers, I played classical guitar. At some point I wanted to express myself and, after buying and studying a book of harmony, I composed a piece. Because of its unusual chords, however, I had difficulty keeping the tempo. Then came computers with DOS and probably with the first windows, I was introduced to midi. The piece, after several attempts and separating the voices into instruments, somehow managed to be heard.
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Meet the musical intervals and the Neo-Riemannian moves, through an analogue clock.
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Meet diatonic scales in music, through an analogue clock
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<a href="/post/circle_of_fifths/" class="link black dim">
Circle of fifths in music, through an analog clock
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<a href="/post/game_theory_book/" class="link black dim">
My introduction to game theory
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