From 5cdc24ddd7be3e57c4e37a7b12644b99126d1934 Mon Sep 17 00:00:00 2001 From: Chia Date: Fri, 31 Jan 2025 00:08:21 -0500 Subject: [PATCH] publication & talk update &junjun bio --- activities/presentations/content.json | 82 +++++++++---- activities/publications/content.json | 57 ++++++--- lab_members/postdocs/junjun_cao/index.html | 2 +- zotero_export/DDMAL_presentations.html | 130 +++++++++++++++------ zotero_export/DDMAL_publications.html | 66 ++++++++--- 5 files changed, 245 insertions(+), 92 deletions(-) diff --git a/activities/presentations/content.json b/activities/presentations/content.json index bb8c6036..74316b1b 100644 --- a/activities/presentations/content.json +++ b/activities/presentations/content.json @@ -1,9 +1,46 @@ { + "2025": [ + "Ichiro Fujinaga and Junjun Cao. 2025. \u201cLinkedMusic Project: Integrating Online Music Databases.\u201d Presented at the Vitrine HN / DH Showcase 2025, McGill University, January 17." + ], + "2024": [ + "Anna de Bakker. 2024a. \u201cBoth Sides Now: CANTUS and Cuttings.\u201d Presented at the Manuscript Cuttings Working Group of the V&A Museum, McGill University, Montreal QC, April.", + "Anna de Bakker. 2024b. \u201cCantus Ultimus and Fragments.\u201d Presented at the Medieval Academy of America Graduate Student Committee Digital Humanities Showcase, January.", + "Anna de Bakker. 2024c. \u201cLeaves and Links: Enhancing Fragmentarium\u2019s Collection of Musically-Notated Liturgical Chant Fragments.\u201d Presented at the Fragmentarium Video Conference, July.", + "Anna de Bakker. 2024d. \u201cMcGill Chant Fragments: Une Histoire En Chant.\u201d Presented at the Presentation for McGill libraries in collaboration with Ensemble Scholastica., McGill University, Montreal QC, November.", + "Anna de Bakker. 2024e. \u201cReduced, Reused, Recycled: A Fragmented Antiphoner from Medieval Trier.\u201d Presented at the Annual meeting of the American Musicological Society, Chicago, Illinois, November.", + "Anna de Bakker. 2024f. \u201cSinging from the Sources: Using the Cantus Ultimus Portal to Find and View Manuscript Images.\u201d Presented at the Meeting of the IMS study group Cantus Planus, G\u00f6d\u00f6ll\u0151, Hungary, August.", + "Anna de Bakker. 2024g. \u201cUnsung Heroes: A Case Study in Fragments and Chant Transmission.\u201d Presented at the 59th International Congress on Medieval Studies, Western Michigan University, Kalamazoo MI, USA, May.", + "Anna de Bakker. 2024h. \u201cUpdate on Feast Days Project (Encoding Time Matters).\u201d Presented at the LinkedMusic Project Meeting III, McGill University, Montreal QC, October.", + "Bouressa, Kyrie. 2024a. \u201cEnd-to-End with CDN-Mrb MS 0073.\u201d Presented at the LinkedMusic Project Meeting III, McGill University, Montreal QC, October.", + "Bouressa, Kyrie. 2024b. \u201cPerformance as Pedagogy: Neumes in Passages from Vergil at San Giovanni a Carbonara.\u201d Presented at the American Musicological Society, Palmer Hilton, Chicago IL, USA, November.", + "Bouressa, Kyrie. 2024c. \u201cPerformance as Pedagogy: Neumes in Passages from Virgil and Ovid at San Giovanni a Carbonara.\u201d Presented at the Medieval and Renaissance Music Conference \u201cMedRen,\u201d Universidad de Granada, Granada, ES, July.", + "Bouressa, Kyrie. 2024d. \u201cTuscan Fragments in the Danish Royal Library.\u201d Presented at the International Conference of Medieval Studies, Western Michigan University, Kalamazoo MI, USA, May.", + "Ichiro Fujinaga and Junjun Cao. 2024. \u201cSustainable Archiving of Music Databases through RDF and NLQ2SPARQL Frameworks.\u201d Presented at the The 1st Workshop on Utilizing AI/ML to Enhance Information Extraction, Organization, and Retrieval from Large-scale Archival Collections, Hong Kong University, Hong Kong, December 20.", + "Ichiro Fujinaga and Kyrie Bouressa. 2024. \u201cMusic Instrument Encoding Matters.\u201d Presented at the Music Encoding Conference, University of North Texas, Denton, TX, May 22.", + "Ichiro Fujinaga, Anna de Bakker, Andrew Hankinson, Dylan Hillerbrand, and Laurent Pugin. 2024. \u201cLinkedNeumes: The Making of Cantus Ultimus.\u201d Presented at the Medieval and Renaissance Music Conference, Granada, July 6.", + "Ichiro Fujinaga. 2024. \u201cDigital Echoes from the Middle Ages: A Framework for Analyzing Plainchants.\u201d Keynote Speaker presented at the Digital Technologies Applied to Music Research Conference, NOVA University, Lisbon, June 27." + ], + "2023": [ + "Anna de Bakker. 2023. \u201cMcGill Chant Manuscripts and Fragments.\u201d Presented at the Celebrating Salzinnes: A Symposium, December.", + "Bouressa, Kyrie. 2023. \u201cMusical Instruments in Wikidata.\u201d Presented at the LinkedMusic Project Meeting II, McGill University, Montr\u00e9al QC, October.", + "Genevi\u00e8ve Gates-Panneton. 2023. \u201cDes Si\u00e8cles de Silence.\u201d Presented at the Symposium on the Salzinnes Antiphoner, Namur, Belgium, December.", + "Ichiro Fujinaga, Elsa de Luca, Inga Behrendt, Kate Helsen, and Stefan Morent. 2023. \u201cVisual or Symbolic? Best Practices for Encoding Neumes.\u201d Presented at the Joint Conference on MEC and TEI Conference, Paderborn University, Paderborn, Germany, September 8.", + "Ichiro Fujinaga, Elsa de Luca, and Maria Alexandru. 2023. \u201cBrainstorming on the Encoding of Eastern Neumes: Middle-Byzantine Notation as a Case-Study.\u201d Presented at the Joint Conference on MEC and TEI Conference, Paderborn University, Paderborn, Germany, September 8.", + "Ichiro Fujinaga, Martha E. Thomae, and Julie Cumming. 2023. \u201cUpdates and Outcomes from the Guatemalan Digitization and Encoding Project.\u201d Presented at the Joint Conference on MEC and TEI Conference, Paderborn University, Paderborn, Germany, September 8.", + "Ichiro Fujinaga. 2023. \u201cOptical Music Recognition Workflow for Neume Notation and Its Encoding & The Art of Teaching Computers.\u201d Invited Speaker, Hakodate Mirai University, Tokyo, January 23.", + "\u201cTeaching Bio-Inspired Design Principles in Elementary School.\u201d 2023. Presented at the Engineering Education Forum, Calgary, AB." + ], + "2022": [ + "Ichiro Fujinaga. 2022a. \u201cOptical Music Recognition Workflow for Neume Notation and Its Encoding & The Art of Teaching Computers.\u201d Invited Speaker, Keio University, Tokyo, June 17.", + "Ichiro Fujinaga. 2022b. \u201cOptical Music Recognition Workflow for\u00a0 Neume Notation and Its Encoding & The Art of Teaching Computers.\u201d Keynote Speaker presented at the Music Encoding Conference, Dalhousie University, Halifax, May 21.", + "Liam Pond. 2022. \u201cBiomedical Engineering Undergraduate Summer Research Symposium.\u201d Calgary, AB.", + "\u201cEstablishment of Sex- and Site-Specific Normative Data for Adults Using Dual X-Ray Absorptiometry.\u201d 2022. Presented at the McCaig Institute Summer Student Symposium, Calgary, AB." + ], "2021": [ "McKay, Cory, and Mar\u00eda Elena Cuenca. 2021. \u201cMusical Influences on the Masses and Motets of Crist\u00f3bal de Morales and Francisco Guerrero: A Statistical Approach.\u201d Presented at the 49th Medieval and Renaissance International Music Conference, Universidade NOVA de Lisboa, Portugal, July. http://jmir.sourceforge.net/publications/mckay21musical.pdf.", "Rodr\u00edguez-Garc\u00eda, Esperanza, and Cory McKay. 2021. \u201cAve Festiva Ferculis: Exploring Attribution by Combining Manual and Computational Analysis.\u201d Presented at the 49th Medieval and Renaissance International Music Conference, Universidade NOVA de Lisboa, Portugal, July.", - "Thomae, Martha E. 2021a. \u201cEncoding Mensural Notation with MEI.\u201d Invited Lecture presented at the Paleography course, University of Freiburg, Freiburg, Germany, January 25.", - "Thomae, Martha E. 2021b. \u201cDigital Infrastructures for Mensural Music Using MEI.\u201d Invited Lecture presented at the Kolloquium Musikwissenschaft, Freiburger Forschungs- und Lehrzentrum Musik (FZM), Freiburg, Germany, January 26.", + "Thomae, Martha E. 2021a. \u201cDigital Infrastructures for Mensural Music Using MEI.\u201d Invited Lecture presented at the Kolloquium Musikwissenschaft, Freiburger Forschungs- und Lehrzentrum Musik (FZM), Freiburg, Germany, January 26.", + "Thomae, Martha E. 2021b. \u201cEncoding Mensural Notation with MEI.\u201d Invited Lecture presented at the Paleography course, University of Freiburg, Freiburg, Germany, January 25.", "Thomae, Martha E., Julie Cumming, and Ichiro Fujinaga. 2021. \u201cGuatemalan Cathedral Choirbook 1: From Manuscript to Digital Images to Digital Scores.\u201d Presented at the 49th Medieval and Renaissance International Music Conference, Universidade NOVA de Lisboa, Portugal, July." ], "2020": [ @@ -40,10 +77,10 @@ "Reuse, Timothy de, and Ichiro Fujinaga. 2019. \u201cPattern Clustering in Monophonic Music by Learning a Non-Linear Embedding from Human Annotations.\u201d Presented at the The 20th International Society for Music Information Retrieval Conference, Delft, Netherlands, November.", "Savage, Evan. 2019. \u201cNeume Component Pitch and Type Classification.\u201d Presented at the Workshop on SIMSSA XIX, CIRMMT, McGill University, Montreal, September 21.", "Shaw, Rebecca. 2019. \u201cThe Differentiae Database.\u201d Presented at the Workshop on SIMSSA XIX, CIRMMT, McGill University, Montreal, September 21.", - "Thomae, Martha E. 2019a. \u201cPreservation of the Colonial Musical Heritage of Guatemala Through Digitization and Music Encoding Technologies.\u201d Invited Talk presented at the Association of Canadian Archivists McGill Student Chapter\u2019s Annual Colloquium, Montreal, QC, March 18.", + "Thomae, Martha E. 2019a. \u201cDigitization and Encoding of the Musical Contents of a Set of Guatemalan Choirbooks.\u201d Invited Lecture presented at the Multimedia Systems (GLIS 633) course, McGill University, Montreal, QC, November 27.", "Thomae, Martha E. 2019b. \u201cGuatemalan Manuscripts: Digitization Issues and Forthcoming Challenges in the Adaptation of the OMR Workflow for Mensural Music.\u201d Presented at the Workshop on SIMSSA XVIII at the Music Encoding Conference, University of Vienna, Vienna, Austria, June 2.", "Thomae, Martha E. 2019c. \u201cOMR for Mensural Notation: Looking at a Guatemalan Music Manuscript.\u201d Presented at the Workshop on SIMSSA XIX, CIRMMT, McGill University, Montreal, September 21.", - "Thomae, Martha E. 2019d. \u201cDigitization and Encoding of the Musical Contents of a Set of Guatemalan Choirbooks.\u201d Invited Lecture presented at the Multimedia Systems (GLIS 633) course, McGill University, Montreal, QC, November 27.", + "Thomae, Martha E. 2019d. \u201cPreservation of the Colonial Musical Heritage of Guatemala Through Digitization and Music Encoding Technologies.\u201d Invited Talk presented at the Association of Canadian Archivists McGill Student Chapter\u2019s Annual Colloquium, Montreal, QC, March 18.", "Thomae, Martha E., Julie Cumming, and Ichiro Fujinaga. 2019a. \u201cApplication of Music-Encoding Technologies to Guatemalan Choirbooks, Facilitating Preservation and Musicological Studies of the Colonial Repertoire.\u201d Paper presentation presented at the Music Encoding Conference, University of Vienna, Vienna, Austria, May 31.", "Thomae, Martha E., Julie Cumming, and Ichiro Fujinaga. 2019b. \u201cTaking Digital Humanities to Guatemala, a Case Study in the Preservation of Colonial Musical Heritage.\u201d Presented at the Digital Humanities Conference, Utrecht, NL, July 10.", "Thomae, Martha E., Julie Cumming, and Ichiro Fujinaga. 2019c. \u201cThe Mensural Scoring-up Tool.\u201d Presented at the 6th International Conference on Digital Libraries for Musicology, The Hague, NL, November 9.", @@ -59,19 +96,18 @@ "Calvo-Zaragoza, Jorge, K\u00e9 Zhang, Zeyad Saleh, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. \u201cHuman-Aided Automatic Music Document Analysis.\u201d Presented at the Music Encoding Conference, University of Maryland, College Park, MD, May 22.", "Cumming, Julie E. 2018. \u201cThe Transformative Power of Digital Tools for Music Research.\u201d Keynote presented at the Joint meeting of the New York State-Ontario (NYS/O) and New England (NEMLA) Chapters of the Music Library Association, and the Quebec Chapter of the Canadian Association of Music Libraries, Archives and Documentation Centres (SQACBM), McGill University, Montreal, QC, November 8.", "Cumming, Julie E., and Cory McKay. 2018. \u201cRevisiting the Origins of the Italian Madrigal.\u201d Presented at the Medieval and Renaissance Music Conference, Maynooth University, Maynooth, Ireland, July 5.", - "Cumming, Julie, Peter Schubert, Cory McKay, Nathaniel Condit-Schultz, and Jonathan Stuchbery. 2018a. \u201cContrapuntal Style: Josquin Desprez vs. Pierre de La Rue.\u201d Presented at the Renaissance Society of America Annual Meeting, New Orleans, Louisiana, March 23.", - "Cumming, Julie, Peter Schubert, Cory McKay, Nathaniel Condit-Schultz, and Jonathan Stuchbery. 2018b. \u201cContrapuntal Style: Josquin Desprez vs. Pierre de La Rue.\u201d Presented at the Conference Pierre de la Rue (ca. 1452-1518), Mechelen, Belgium, November.", - "Cumming, Julie, and Zoey Cochran. 2018a. \u201cThe Questione Della Musica: Revisiting the Origins of the Italian Madrigal.\u201d Presented at the Third Annual Conference on the Italian Madrigal, Colgate University, Hamilton, NY, September.", - "Cumming, Julie, and Zoey Cochran. 2018b. \u201cThe Questione Della Musica: Revisiting the Origins of the Italian Madrigal.\u201d Presented at the American Musicological Society, San Antonio, Texas, November.", + "Cumming, Julie, Peter Schubert, Cory McKay, Nathaniel Condit-Schultz, and Jonathan Stuchbery. 2018a. \u201cContrapuntal Style: Josquin Desprez vs. Pierre de La Rue.\u201d Presented at the Conference Pierre de la Rue (ca. 1452-1518), Mechelen, Belgium, November.", + "Cumming, Julie, Peter Schubert, Cory McKay, Nathaniel Condit-Schultz, and Jonathan Stuchbery. 2018b. \u201cContrapuntal Style: Josquin Desprez vs. Pierre de La Rue.\u201d Presented at the Renaissance Society of America Annual Meeting, New Orleans, Louisiana, March 23.", + "Cumming, Julie, and Zoey Cochran. 2018a. \u201cThe Questione Della Musica: Revisiting the Origins of the Italian Madrigal.\u201d Presented at the American Musicological Society, San Antonio, Texas, November.", + "Cumming, Julie, and Zoey Cochran. 2018b. \u201cThe Questione Della Musica: Revisiting the Origins of the Italian Madrigal.\u201d Presented at the Third Annual Conference on the Italian Madrigal, Colgate University, Hamilton, NY, September.", "Garfinkle, David, and Peter Schubert. 2018. \u201cComputer-Assisted Corpus Analysis Finds a Signature Progression in Willaert and Palestrina.\u201d Presented at the Medieval and Renaissance Music Conference, Maynooth University, Maynooth, Ireland, July 5.", "Helsen, Kate, Inga Behrendt, Elsa De Luca, Ichiro Fujinaga, Alessandra Ignesti, Debra Lacoste, and Sarah Long. 2018. \u201c\u2018A Neume by Any Other Name...\u2019: Considering Neumes Described in MEI.\u201d Panel presented at the IMS Study Group Meeting for Cantus Planus, Linnaeus University, V\u00e4xj\u00f6, Sweden, August 7.", "Helsen, Kate, and Mark Daley. 2018. \u201cMelody Models: Construction and Evolution in Office Chants.\u201d Presented at the IMS Study Group Meeting for Cantus Planus, Linnaeus University, V\u00e4xj\u00f6, Sweden, August 7.", "Howes, Samuel. 2018. \u201cHarmonic Syntax in the Instrumental Music of Frescobaldi: A Probabilistic Model.\u201d Presented at the Medieval and Renaissance Music Conference, Maynooth University, Maynooth, Ireland, July 5.", "Ju, Yaolong, and Katharine Eve Helsen. 2018. \u201cThe LMLO Goes MEI: An Exercise in Melodic Encoding Translation.\u201d Presented at the Music Encoding Conference, University of Maryland, College Park, MD, May 22.", "Laplante, Audrey, and Jean-Sebastian Sauv\u00e9. 2018. \u201cMusicologie Num\u00e9rique\u202f: D\u00e9veloppement d\u2019outils et de Services Centr\u00e9s Sur l\u2019utilisateur.\u201d Presented at the Joint meeting of the New York State-Ontario (NYS/O) and New England (NEMLA) Chapters of the Music Library Association, and the Quebec Chapter of the Canadian Association of Music Libraries, Archives and Documentation Centres (SQACBM), Montreal, QC, November 8.", - "Laplante, Audrey. 2018. \u201cMusicologie Num\u00e9rique\u202f: D\u00e9veloppement d\u2019outils et de Services Centr\u00e9s Sur l\u2019utilisateur.\u201d Presented at the Joint meeting of the New York State-Ontario (NYS/O) and New England (NEMLA) Chapters of the Music Library Association, and the Quebec Chapter of the Canadian Association of Music Libraries, Archives and Documentation Centres (SQACBM), McGill University, Montreal, QC, November 8.", "Lorenz, Ian. 2018. \u201cCad\u00e9ac, Gombert, and CRIM: A New Approach to the Renaissance Imitation Mass.\u201d Presented at the Medieval and Renaissance Music Conference, Maynooth University, Maynooth, Ireland, July 5.", - "McKay, Cory. 2018. \u201cPerforming Statistical Musicological Research Using JSymbolic and Machine Learning.\u201d Presented at the International Conference on the Anatomy of Polyphonic Music around 1500, Cascais, Portugal, June.", + "McKay, Cory. 2018. \u201cPerforming Statistical Musicological Research Using jSymbolic and Machine Learning.\u201d Presented at the International Conference on the Anatomy of Polyphonic Music around 1500, Cascais, Portugal, June.", "McLennan, Zo\u00e9, and Juliette Regimbal. 2018. \u201cNeon2: Redesigning a Web-Based MEI Neume Editor.\u201d Presented at the SIMSSA XVII Workshop, Montr\u00e9al, QC, December 1.", "Nguyen, Minh Anh. 2018. \u201cUpdates to RODAN Gamera Interactive Classifier.\u201d Presented at the Workshop on SIMSSA XVII: Infrastructure for Music Discovery, McGill University, December 1.", "N\u00e1poles L\u00f3pez, N\u00e9stor, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. \u201cEncoding Matters.\u201d Presented at the 5th International Conference on Digital Libraries for Musicology, Paris, France, September.", @@ -115,11 +151,11 @@ ], "2015": [ "Bain, Jennifer, and Inga Behrendt. 2015. \u201cThe Optical Neume Recognition Project (ONRP) \u2014 the Development of a Search Tool for Neume Notation in Digital Images.\u201d Poster presented at the 2nd International Workshop on Opportunities for the Automatic Pattern Recognition and Analysis of Historical Documents, \u201cMachines and Manuscripts 2015,\u201d Karlsruher Institut f\u00fcr Technologie, Institute for Data Processing and Electronics, Karlsruhe, Germany, February 19.", - "Cumming, Julie. 2015a. \u201cHow Has Technology Changed Musicological Research?\u201d Paper presented at the IMS Study Group on Digital Musicology, International Association of Music Libraries, Archives and Documentation Centres/International Musicological Society Congress \u201cMusic Research in the Digital Age,\u201d New York, June 21.", - "Cumming, Julie. 2015b. \u201cSIMSSA, Search and Analysis Axis, Report on Our First Year.\u201d Paper presented at the International Association of Music Libraries, Archives and Documentation Centres/International Musicological Society Congress \u201cMusic Research in the Digital Age,\u201d SIMSSA Worksop VI, New York, June 27.", - "Cumming, Julie. 2015c. \u201cAnalysing Renaissance Polyphony: Taxonomy and Terminology, 1 and 2.\u201d Paper presented at the Annual Medieval and Renaissance Music Conference, Brussels, Belgium, July 9.", + "Cumming, Julie. 2015a. \u201cAnalysing Renaissance Polyphony: Taxonomy and Terminology, 1 and 2.\u201d Paper presented at the Annual Medieval and Renaissance Music Conference, Brussels, Belgium, July 9.", + "Cumming, Julie. 2015b. \u201c\u2018Google Scores\u2019 without Google.\u201d Invited Talk presented at the Digital Humanities Group, University of Florida, Gainesville, November 16.", + "Cumming, Julie. 2015c. \u201cHow Has Technology Changed Musicological Research?\u201d Paper presented at the IMS Study Group on Digital Musicology, International Association of Music Libraries, Archives and Documentation Centres/International Musicological Society Congress \u201cMusic Research in the Digital Age,\u201d New York, June 21.", "Cumming, Julie. 2015d. \u201cSIMSSA, Search and Analysis Axis, Report on Our First Year.\u201d Paper presented at the Annual Medieval and Renaissance Music Conference, SIMSSA Workshop VII, Brussels, Belgium, July 9.", - "Cumming, Julie. 2015e. \u201c\u2018Google Scores\u2019 without Google.\u201d Invited Talk presented at the Digital Humanities Group, University of Florida, Gainesville, November 16.", + "Cumming, Julie. 2015e. \u201cSIMSSA, Search and Analysis Axis, Report on Our First Year.\u201d Paper presented at the International Association of Music Libraries, Archives and Documentation Centres/International Musicological Society Congress \u201cMusic Research in the Digital Age,\u201d SIMSSA Worksop VI, New York, June 27.", "Fogarty, Andrew, Andrew Hankinson, and Ichiro Fujinaga. 2015. \u201cA Browser-Based Neume Metadata Editor.\u201d Poster presented at the Music Encoding Conference, Florence, Italy, May 18.", "Helsen, Kate, Inga Behrendt, Jennifer Bain, and Anton Stingl. 2015. \u201cThe Optical Neume Recognition Project.\u201d Paper presented at the Annual Medieval and Renaissance Music Conference, Brussels, Belgium, July 7.", "Helsen, Kate, Inga Behrendt, and Jennifer Bain. 2015. \u201cNeume Search.\u201d Paper presented at the Annual Medieval and Renaissance Music Conference, Brussels, Belgium, July 8.", @@ -134,10 +170,10 @@ "2014": [ "Bain, Jennifer. 2014. \u201cMedieval Musicology in a Digital World: The Optical Neume Recognition Project.\u201d Paper presented at the SSHRC-sponsored Connecting Cultures: Imagining Canada\u2019s Future, Dalhousie University, Halifax, NS, March.", "Behrendt, Inga. 2014. \u201cThe Optical Neume Recognition Project.\u201d Poster presented at the Mitgliedertreffen der deutschsprachigen Sektion der Internationalen Gesellschaft f\u00fcr Studien des Gregorianischen Chorals (AISCGre), Tettenweis, Germany, October.", - "Helsen, Kate. 2014a. \u201cThe Optical Neume Recognition Project.\u201d Poster presented at the Big Data Days @ Western Conference, University of Western Ontario, London, ON, March.", - "Helsen, Kate. 2014b. \u201cA New Way to See Neumes: The Optical Neume Recognition Project in Action.\u201d Paper presented at the Meeting of IMS Study Group Cantus Planus, Venice, Italy, July.", + "Helsen, Kate. 2014a. \u201cA New Way to See Neumes: The Optical Neume Recognition Project in Action.\u201d Paper presented at the Meeting of IMS Study Group Cantus Planus, Venice, Italy, July.", + "Helsen, Kate. 2014b. \u201cOptical Neume Recognition Project.\u201d TED-Style Talk, Medieval Day at Western, London, ON, November.", "Helsen, Kate. 2014c. \u201cThe Optical Neume Recognition Project.\u201d Poster presented at the Don Wright Faculty of Music Research Showcase, University of Western Ontario, London, ON, September.", - "Helsen, Kate. 2014d. \u201cOptical Neume Recognition Project.\u201d TED-Style Talk, Medieval Day at Western, London, ON, November.", + "Helsen, Kate. 2014d. \u201cThe Optical Neume Recognition Project.\u201d Poster presented at the Big Data Days @ Western Conference, University of Western Ontario, London, ON, March.", "Lacoste, Debra, and Alison Altstatt. 2014. \u201cAn EnCHANTed Evening: Singing Vespers with CANTUS (A Workshop).\u201d Paper presented at the International Congress on Medieval Studies, Kalamazoo, MI, May 8.", "Lacoste, Debra, and a panel of experts. 2014. \u201cSo You Think You Can Chant: Gregorian or Old-Roman?\u201d Demonstration and panel discussion presented at the International Congress on Medieval Studies, Kalamazoo, MI, May 10.", "Lacoste, Debra. 2014. \u201cOld, New, and Newer Chant Databases: The CANTUS Database and CANTUS Index.\u201d Paper presented at the Annual Meeting of the Canadian Society of Medievalists (part of the 2014 Congress of the Humanities and Social Sciences), St. Catharines, ON, May 24.", @@ -159,14 +195,14 @@ "Lacoste, Debra. 2012. \u201cTracking the Chants of the Laurier Manuscript in the Cantus Database.\u201d Presented at the Meeting of the Canadian Society of Medievalists, Waterloo, ON, May 27." ], "2011": [ - "Behrendt, Inga. 2011a. \u201cDie \u00e4lteste Notenschrift trifft auf modernste Technik: Vorstellung des \u201eAutomatic Neume Recognition Program\u201d zur computergest\u00fctzten Analyse der St. Galler Neumenotation.\u201d Paper presented at the Music Room at the Abby of St. Gall, St. Gall, Switzerland, May.", - "Behrendt, Inga. 2011b. \u201cAutomatic Neume Recognition Program \u2014 Computergest\u00fctzte Analyse der St. Galler Neumenotation.\u201d Paper presented at the Internationaler Sommerkurs Gregorianik 2011, Folkwang Universit\u00e4t der K\u00fcnste, Essen, Germany, July.", + "Behrendt, Inga. 2011a. \u201cAutomatic Neume Recognition Program \u2014 Computergest\u00fctzte Analyse der St. Galler Neumenotation.\u201d Paper presented at the Internationaler Sommerkurs Gregorianik 2011, Folkwang Universit\u00e4t der K\u00fcnste, Essen, Germany, July.", + "Behrendt, Inga. 2011b. \u201cDie \u00e4lteste Notenschrift trifft auf modernste Technik: Vorstellung des \u201eAutomatic Neume Recognition Program\u201d zur computergest\u00fctzten Analyse der St. Galler Neumenotation.\u201d Paper presented at the Music Room at the Abby of St. Gall, St. Gall, Switzerland, May.", "Helsen, Kate. 2011a. \u201cThe Optical Neume Recognition Project.\u201d Poster presented at the Digital Medievalist Poster Session at the 46th International Congress on Medieval Studies, Western Michigan University, Kalamazoo, MI, May.", - "Helsen, Kate. 2011b. \u201cVenite et Videte: The Optical Neume Recognition Project.\u201d Paper presented at the 46th International Congress on Medieval Studies, Western Michigan University, Kalamazoo, MI, May.", - "Helsen, Kate. 2011c. \u201cThe Optical Neume Recognition Project: First Steps.\u201d Paper presented at the Cantus Planus Conference, Vienna, August.", + "Helsen, Kate. 2011b. \u201cThe Optical Neume Recognition Project: First Steps.\u201d Paper presented at the Cantus Planus Conference, Vienna, August.", + "Helsen, Kate. 2011c. \u201cVenite et Videte: The Optical Neume Recognition Project.\u201d Paper presented at the 46th International Congress on Medieval Studies, Western Michigan University, Kalamazoo, MI, May.", "Kol\u00e1\u010dek, Jan, and Debra Lacoste. 2011. \u201cA New Research Interface for the Cantus Database.\u201d Presented at the International Congress on Medieval Studies, Kalamazoo, MI, May 12.", - "Lacoste, Debra. 2011a. \u201cThe Reinvention of the Cantus Database: New Location, Platform and Features for Old Chants.\u201d Presented at the Sixth Annual Colloquium of the Gregorian Institute of Cnada, Halifax, NS, Canada, August 6.", - "Lacoste, Debra. 2011b. \u201cElastic Melodies: Variants in Responsory Verses.\u201d Presented at the IMS Study Group Meeting for Cantus Planus, Vienna, August 26.", + "Lacoste, Debra. 2011a. \u201cElastic Melodies: Variants in Responsory Verses.\u201d Presented at the IMS Study Group Meeting for Cantus Planus, Vienna, August 26.", + "Lacoste, Debra. 2011b. \u201cThe Reinvention of the Cantus Database: New Location, Platform and Features for Old Chants.\u201d Presented at the Sixth Annual Colloquium of the Gregorian Institute of Cnada, Halifax, NS, Canada, August 6.", "Lacoste, Debra. 2011c. \u201cTracking Hymns Through the Cantus Database.\u201d Presented at the Medieval Day, Wilfrid Laurier University, October 26.", "Vigliensoni, Gabriel, John Ashley Burgoyne, Andrew Hankinson, and Ichiro Fujinaga. 2011. \u201cAutomatic Pitch Recognition in Printed Sqaure-Note Notation.\u201d Poster presented at the 12th International Society for Music Information Retrieval Conference, Miami, USA, October 24." ] diff --git a/activities/publications/content.json b/activities/publications/content.json index 24bc35ae..d52e2ef5 100644 --- a/activities/publications/content.json +++ b/activities/publications/content.json @@ -1,14 +1,41 @@ { + "n.d.": [ + "Genevi\u00e8ve Gates-Panneton. n.d. \u201cSalzinnes and Digital Tools.\u201d" + ], + "2025": [ + "Burt, Lauren A, Liam T Pond, Annabel R Bugbird, David A Hanley, and Steven K Boyd. 2025. \u201cCanadian Adult Reference Data for Body Composition, Trabecular Bone Score and Advanced Hip Analysis Using DXA.\u201d Journal of Clinical Densitometry 28 (1): 101535." + ], + "2024": [ + "Abid, Noor, Liam Pond, and Svetlana Yanushkevich. 2024. \u201cCausality Exploration in Modeling Engineering Student Satisfaction.\u201d In 2024 IEEE Global Engineering Education Conference (EDUCON), 1\u201310. IEEE.", + "Anzum, Fahim, Ashratuz Zavin Asha, Lily Dey, Artemy Gavrilov, Fariha Iffath, Abu Quwsar Ohi, Liam Pond, Md Shopon, and Marina L Gavrilova. 2024. \u201cA Comprehensive Review of Trustworthy, Ethical, and Explainable Computer Vision Advancements in Online Social Media.\u201d Global Perspectives on the Applications of Computer Vision in Cybersecurity, 1\u201346.", + "Bain, Jennifer, and Anna de Bakker. 2024. \u201cTraces of Liturgy: Analysing Manuscript Fragments from the Binding of the Riesencodex.\u201d Fragmentology 7:9\u201351.", + "Bouressa, Kyrie Ekaterina and Ichiro Fujinaga. 2024. \u201cMusical Instrument Encoding Matters.\u201d In Proceedings of the Music Encoding Conference. Denton, TX. https://doi.org/10.17613/g587-jh48.", + "Ichiro Fujinaga, Anna de Bakker, Andrew Hankinson, Dylan Hillerbrand, and Laurent Pugin. 2024a. \u201cLinkedNeumes: The Making of Cantus Ultimus.\u201d In . Granada, Spain.", + "Ichiro Fujinaga, Anna de Bakker, Andrew Hankinson, Dylan Hillerbrand, and Laurent Pugin. 2024b. \u201cUsing Optical Music Recognition in Search of Early European Music.\u201d In Actes Des Journ\u00e9es d\u2019Informatique Musicale, 257\u201363. Marseille, France. https://cloud.prism.cnrs.fr/index.php/s/8aX4YaDXArst2xQ.", + "Shaojun Si. 2024. \u201cA Review of the New Ideas and Methods of Music Communication in the New Media Era.\u201d In Chinese Music. Vol. 6. Chinese Social Sciences Citation Index (CSSCI)." + ], + "2023": [ + "Acquilino, Alberto, Ninad Puranik, Ichiro Fujinaga, and Gary P Scavone. 2023b. \u201cA Dataset and Baseline for Automated Assessment of Timbre Quality in Trumpet Sound.\u201d In Proceedings of the International Society for Music Information Retrieval Conference, 684\u201391. Milan, Italy.", + "Acquilino, Alberto, Ninad Puranik, Ichiro Fujinaga, and Gary Scavone. 2023a. \u201cDetecting Efficiency in Trumpet Sound Production: Proposed Methodology and Pedagogical Implications.\u201d In Proceedings of the Stockholm Music Acoustics Conference, 72\u201379. Stockholm, Sweden.", + "Castellanos, Francisco J, Antonio Javier Gallego, and Ichiro Fujinaga. 2023a. \u201cA Few-Shot Neural Approach for Layout Analysis of Music Score Images.\u201d In Acquilino, Alberto, Ninad Puranik, Ichiro Fujinaga, and Gary P Scavone. 2023. \u201cA Dataset and Baseline for Automated Assessment of Timbre Quality in Trumpet Sound.\u201d In Proceedings of the International Society for Music Information Retrieval Conference, 684\u201391. Milan, Italy., 106\u201313. Milan, Italy.", + "Castellanos, Francisco J, Antonio Javier Gallego, and Ichiro Fujinaga. 2023b. \u201cA Preliminary Study of Few-Shot Learning for Layout Analysis of Music Scores.\u201d In Proceedings of the 5th International Workshop on Reading Music Systems, edited by Jorge Calvo-Zaragoza, Alexander Pacha, and Elona Shatri, 44\u201348. Milan, Italy. https://doi.org/10.48550/arXiv.2311.04091.", + "Fujinaga, Ichiro, and Gabriel Vigliensoni. 2023. \u201cOptical Music Recognition Workflow for Medieval Music Manuscripts.\u201d In Proceedings of the 5th International Workshop on Reading Music Systems, edited by Jorge Calvo-Zaragoza, Alexander Pacha, and Elona Shatri, 4\u20136. Milan, Italy. https://doi.org/10.48550/arXiv.2311.04091.", + "McKay, Cory, Julie Cumming, and Ichiro Fujinaga. 2023. \u201cRhythmic, Melodic and Vertical N-Gram Features as a Means of Studying Symbolic Music Computationally.\u201d In Annual International Conference of the Alliance of Digital Humanities, edited by Anne Baillot, Toma Tasovac, Walter Scholger, and Georg Vogeler, 187\u201388. Graz, Austria. https://doi.org/10.5281/ZENODO.8107739." + ], + "2022": [ + "De Reuse, Timothy, and Ichiro Fujinaga. 2022. \u201cA Transformer-Based\" Spellchecker\" for Detecting Errors in OMR Output.\u201d In Proceedings of the International Society for Music Information Retrieval Conference, 789\u201396. Bangaluru, India.", + "Thomae, Martha E, Julie Cumming, and Ichiro Fujinaga. 2022. \u201cCounterpoint Error-Detection Tools for Optical Music Recognition of Renaissance Polyphonic Music.\u201d In Proceedings of the 23rd International Society for Music Information Retrieval Conference, 501\u20138. Bangalulu, India." + ], "2021": [ "Cumming, Julie, Cory McKay, Peter Schubert, N\u00e9stor N\u00e1poles L\u00f3pez, and Sylvain Margot. 2021. \u201cContrapuntal Style: Pierre de La Rue vs. Josquin Des Prez.\u201d In Pierre de La Rue Studies, edited by David Burn and Honey Meconi.", "Cumming, Julie, and Cory McKay. 2021. \u201cUsing Corpus Studies to Find the Origins of the Madrigal.\u201d In Proceedings of the Conference Future Directions of Music Cognition. The Ohio State University, Columbus, US (virtual).", - "Hanssian, Sevag. 2021. \u201cMusic Demixing with the SliCQ Transform.\u201d In Proceedings of the MDX Workshop. https://arxiv.org/abs/2112.05509v1.", + "Hanssian, Sevag. 2021. \u201cMusic Demixing with the sliCQ Transform.\u201d In Proceedings of the MDX Workshop. https://arxiv.org/abs/2112.05509v1.", "Thomae, Martha E. 2021. \u201cThe Guatemalan Choirbooks: Facilitating Preservation, Performance, and Study of the Colonial Repertoire.\u201d In Christian Music Traditions in the Americas, edited by Andrew Shenton and Joanna Smolko. New York: Rowman & Littlefield." ], "2020": [ "Daigle, Alexandre. 2020. \u201cEvaluation of Optical Music Recognition Software.\u201d Master\u2019s Thesis, Montreal, QC: McGill University.", "Desmond, Karen, Andrew Hankinson, Laurent Pugin, Juliette Regimbal, Craig Sapp, and Martha E. Thomae. 2020. \u201cNext Steps for Measuring Polyphony\u2013A Prototype Editor for Encoding Mensural Music.\u201d In Music Encoding Conference Proceedings 26-29 May, 2020, 121\u201324. Tufts University, Boston. http://dx.doi.org/10.17613/5k88-9z02.", - "Desmond, Karen, Emily Hopkins, Samuel Howes, and Julie E. Cumming. 2020. \u201cComputer-Aided Analysis of Sonority in the French Motet Repertory, c. 1300-1350.\u201d Music Theory Online 26 (4):26.4.2.", + "Desmond, Karen, Emily Hopkins, Samuel Howes, and Julie E. Cumming. 2020. \u201cComputer-Aided Analysis of Sonority in the French Motet Repertory, c. 1300-1350.\u201d Music Theory Online 26 (4): 26.4.2.", "Ju, Yaolong, Sylvain Margot, Cory McKay, Luke Dahn, and Ichiro Fujinaga. 2020. \u201cAutomatic Figured Bass Annotation Using the New Bach Chorales Figured Bass Dataset.\u201d In Proceedings of the International Society for Music Information Retrieval Conference, 640\u201346.", "Ju, Yaolong, Sylvain Margot, Cory McKay, and Ichiro Fujinaga. 2020a. \u201cAutomatic Chord Labelling: A Figured Bass Approach.\u201d In 7th International Conference on Digital Libraries for Musicology, 27\u201331. DLfM 2020. New York, NY: Association for Computing Machinery. https://doi.org/10.1145/3424911.3425513.", "Ju, Yaolong, Sylvain Margot, Cory McKay, and Ichiro Fujinaga. 2020b. \u201cFigured Bass Encodings for Bach Chorales in Various Symbolic Formats: A Case Study.\u201d In Music Encoding Conference Proceedings 26-29 May, 2020, 71\u201373. Tufts University, Boston. https://hcommons.org/deposits/item/hc:31943.", @@ -17,7 +44,7 @@ "Regimbal, Juliette, Gabriel Vigliensoni, Caitlin Hutnyk, and Ichiro Fujinaga. 2020. \u201cIIIF-Based Lyric and Neume Editor for Square-Notation Manuscripts.\u201d In Music Encoding Conference Proceedings 26-29 May, 2020, 15\u201318. Tufts University, Boston. http://dx.doi.org/10.17613/d41w-n008.", "Tard\u00f3n, Lorenzo J., Isabel Barbancho, Ana M. Barbancho, and Ichiro Fujinaga. 2020. \u201cAutomatic Staff Reconstruction within SIMSSA Project.\u201d Applied Sciences 10:2468.", "Thomae, Martha E., Antonio R\u00edos-Vila, Jorge Calvo-Zaragoza, David Rizo, and Jose M. I\u00f1esta. 2020. \u201cRetrieving Music Semantics from Optical Music Recognition by Machine Translation.\u201d In Music Encoding Conference Proceedings 26-29 May, 2020, 19\u201324. Tufts University, Boston. http://dx.doi.org/10.17613/605z-nt78.", - "Upham, Finn, and Julie Cumming. 2020. \u201cAuditory Streaming Complexity and Renaissance Mass Ordinary Cycles.\u201d Empirical Musicology Review 15 (3\u20134):202\u201322." + "Upham, Finn, and Julie Cumming. 2020. \u201cAuditory Streaming Complexity and Renaissance Mass Ordinary Cycles.\u201d Empirical Musicology Review 15 (3\u20134): 202\u201322." ], "2019": [ "Alfaro-Contreras, Mar\u00eda, Jorge Calvo-Zaragoza, and Jos\u00e9 M. I\u00f1esta. 2019. \u201cApproaching End-to-End Optical Music Recognition for Homophonic Scores.\u201d In Pattern Recognition and Image Analysis, edited by Aythami Morales, Julian Fierrez, Jos\u00e9 Salvador S\u00e1nchez, and Bernardete Ribeiro, 147\u201358. Lecture Notes in Computer Science. Springer International Publishing.", @@ -27,7 +54,7 @@ "Cumming, Julie, and Evelyn Tribble. 2019. \u201cDistributed Cognition, Improvisation and the Performing Arts in Early Modern Europe.\u201d In History of Distributed Cognition 2: From Medieval to Renaissance Culture. Vol. 2. Edinburgh, Scotland: University of Edinburgh Press.", "Cumming, Julie, and Zoey Cochran. 2019. \u201cThe Questione Della Musica: Revisiting the Origins of the Italian Madrigal.\u201d Presented at the Medieval and Renaissance Music Conference, Basel, Switzerland, July 4.", "De Luca, Elsa, Inga Behrendt, Ichiro Fujinaga, Kate Helsen, Alessandra Ignesti, Debra Lacoste, and Sarah Ann Long. 2019. \u201cCapturing Early Notations in MEI: The Case of Old Hispanic Neumes.\u201d Musiktheorie-Zeitschrift F\u00fcr Musikwissenschaft 2:229\u201349.", - "De Luca, Elsa. 2019. \u201cReview of: La Transici\u00f3n al Rito Romano En Arag\u00f3n y Navarra: Fuentes, Escenarios, Tradiciones by Juan Pablo Rubio Sadia, Napoli, Editrice Domenicana Italiana, 2018.\u201d Revista Portuguesa de Musicologia | Portuguese Journal of Musicology 6 (1):237\u201342.", + "De Luca, Elsa. 2019. \u201cReview of: La Transici\u00f3n al Rito Romano En Arag\u00f3n y Navarra: Fuentes, Escenarios, Tradiciones by Juan Pablo Rubio Sadia, Napoli, Editrice Domenicana Italiana, 2018.\u201d Revista Portuguesa de Musicologia | Portuguese Journal of Musicology 6 (1): 237\u201342.", "Dixon, Simon, Polina Proutskova, Tillman Weyde, Daniel Wolff, Martin Pfleiderer, Klaus Frieler, Frank H\u00f6ger, et al. 2019. \u201cDig That Lick: Exploring Patterns in Jazz Solos.\u201d In Dmrn+ 14: Digital Music Research Network 2019.", "Fujinaga, Ichiro, and Gabriel Vigliensoni. 2019. \u201cThe Art of Teaching Computers: The SIMSSA Optical Music Recognition Workflow System.\u201d In Proceedings of the 27th European Signal Processing Conference, 330\u201334. A Coru\u00f1a, Spain. https://doi.org/10.23919/EUSIPCO.2019.8902658.", "Fujinaga, Ichiro. 2019. \u201cSingle Interface for Music Score Searching and Analysis (SIMSSA) Project: Optical Music Recognition Workflow for Neume Notation.\u201d In Proceedings of the Computers and the Humanities Symposium (JinMonCom), Vol. 2019 (1):281\u201386. Osaka, Japan: Information Processing Society of Japan.", @@ -48,7 +75,7 @@ "Arthur, Claire, Julie Cumming, and Peter Schubert. 2018b. \u201cThe Role of Structural Tones in Establishing Mode in Renaissance Two-Part Counterpoint.\u201d In Proceedings of the 15th International Conference on Music Perception and Cognition. Montreal, QC.", "Bar\u00f3, Arnau, Pau Riba, Jorge Calvo-Zaragoza, and Alicia Forn\u00e9s. 2018. \u201cOptical Music Recognition by Long Short-Term Memory Networks.\u201d In GREC 2017: Graphics Recognition. Current Trends and Evolutions, edited by Alicia Forn\u00e9s and Bart Lamiroy, 81\u201395. Lecture Notes in Computer Science. Springer International Publishing.", "Calvo-Zaragoza, J., A. H. Toselli, and E. Vidal. 2018. \u201cProbabilistic Music-Symbol Spotting in Handwritten Scores.\u201d In 2018 16th International Conference on Frontiers in Handwriting Recognition (ICFHR), 558\u201363. https://doi.org/10.1109/ICFHR-2018.2018.00103.", - "Calvo-Zaragoza, Jorge, Francisco J. Castellanos, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. \u201cDeep Neural Networks for Document Processing of Music Score Images.\u201d Applied Sciences 8 (5):654. https://doi.org/10.3390/app8050654.", + "Calvo-Zaragoza, Jorge, Francisco J. Castellanos, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. \u201cDeep Neural Networks for Document Processing of Music Score Images.\u201d Applied Sciences 8 (5): 654. https://doi.org/10.3390/app8050654.", "Calvo-Zaragoza, Jorge, Jan Haji\u010d, and Alexander Pacha. 2018. \u201cDiscussion Group Summary: Optical Music Recognition.\u201d In GREC 2017: Graphics Recognition. Current Trends and Evolutions, edited by Alicia Forn\u00e9s and Bart Lamiroy, 152\u201357. Lecture Notes in Computer Science. Springer International Publishing.", "Calvo-Zaragoza, Jorge, and David Rizo. 2018. \u201cCamera-PrIMus: Neural End-to-End Optical Music Recognition on Realistic Monophonic Scores.\u201d In Proceedings of the 19th International Society for Music Information Retrieval Conference, 8. Paris, France.", "Castellanos, Francisco J., Jorge Calvo-Zaragoza, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. \u201cDocument Analysis of Music Score Images with Selectional Auto Encoders.\u201d In Proceedings of the 19th International Society for Music Information Retrieval Conference, 256\u201363. Paris, France. http://cloud.simssa.ca/index.php/s/FjJGQ6josKEIWNn.", @@ -57,8 +84,8 @@ "Cumming, Julie. 2018. \u201cWhy Should Musicologists Do Digital Humanities?\u201d Troja: Jahrbuch F\u00fcr Renaissancemusik, (Re)-Constructing Renaissance Music: Perspectives from the Digital Humanities and Music Theory, 35\u201346.", "Desmond, Karen. 2018. Music and the Moderni, 1300-1500: The Ars Nova in Theory and Practice. Cambridge University Press.", "Haji\u010d Jr., Jan, Marta Kol\u00e1rov\u00e1, Alexander Pacha, and Jorge Calvo-Zaragoza. 2018. \u201cHow Current Optical Music Recognition Systems Are Becoming Useful for Digital Libraries.\u201d In Proceedings of the 5th International Conference on Digital Libraries for Musicology, 57\u201361. DLfM \u201918. New York, USA: ACM. https://doi.org/10.1145/3273024.3273034.", - "Long, Sarah Ann. 2018. \u201cInternational Image Interoperability Framework; Gallica; e-Codices: Virtual Manuscript Library of Switzerland.\u201d Journal of the American Musicological Society 71 (2):561\u201371.", - "McKay, Cory, Julie Cumming, and Ichiro Fujinaga. 2018. \u201cJSymbolic 2.2: Extracting Features from Symbolic Music for Use in Musicological and MIR Research.\u201d In Proceedings of the 19th International Society for Music Information Retrieval Conference, 348\u201354. Paris, France: ISMIR.", + "Long, Sarah Ann. 2018. \u201cInternational Image Interoperability Framework; Gallica; e-Codices: Virtual Manuscript Library of Switzerland.\u201d Journal of the American Musicological Society 71 (2): 561\u201371.", + "McKay, Cory, Julie Cumming, and Ichiro Fujinaga. 2018. \u201cjSymbolic 2.2: Extracting Features from Symbolic Music for Use in Musicological and MIR Research.\u201d In Proceedings of the 19th International Society for Music Information Retrieval Conference, 348\u201354. Paris, France: ISMIR.", "N\u00e1poles L\u00f3pez, N\u00e9stor, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. \u201cEncoding Matters.\u201d In Proceedings of the 5th International Conference on Digital Libraries for Musicology, 69\u201373. DLfM \u201918. Paris, France: Association for Computing Machinery. https://doi.org/10.1145/3273024.3273027.", "Pacha, Alexander, and Jorge Calvo-Zaragoza. 2018. \u201cOptical Music Recognition in Mensural Notation with Region-Based Convolutional Neural Networks.\u201d In Proceedings of the 19th International Society for Music Information Retrieval Conference, 240\u201347. Paris, France.", "Rizo, David, Jorge Calvo-Zaragoza, and Jos\u00e9 M. I\u00f1esta. 2018. \u201cMuRET: A Music Recognition, Encoding, and Transcription Tool.\u201d In Proceedings of the 5th International Conference on Digital Libraries for Musicology, 52\u201356. DLfM \u201918. New York, NY, USA: ACM. https://doi.org/10.1145/3273024.3273029.", @@ -72,16 +99,16 @@ "Barone, Michael D., Kurt Dacosta, Gabriel Vigliensoni, and Matthew H. Woolhouse. 2017. \u201cGRAIL: Database Linking Music Metadata Across Artist, Release,and Track.\u201d In Proceedings of the 4th International Workshop on Digital Libraries for Musicology, 49\u201354. Association for Computing Machinery. https://dl.acm.org/doi/10.1145/3144749.3144760.", "Behrendt, Inga, Jennifer Bain, and Kate Helsen. 2017. \u201cMEI Kodierung Der Fr\u00fchesten Notation in Linienlosen Neumen.\u201d Edited by Hannah Busch, Franz Fischer, and Patrick Sahle. Kodikologie Und Pal\u00e4ographie Im Digitalen Zeitalter / Codicology and Paleography in the Digital Age 4:281\u201396.", "Calvo-Zaragoza, J., A. H. Toselli, and E. Vidal. 2017. \u201cHandwritten Music Recognition for Mensural Notation: Formulation, Data and Baseline Results.\u201d In 2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR), 01:1081\u201386. https://doi.org/10.1109/ICDAR.2017.179.", - "Calvo-Zaragoza, Jorge, Antonio Pertusa, and Jose Oncina. 2017. \u201cStaff-Line Detection and Removal Using a Convolutional Neural Network.\u201d Machine Vision and Applications 28 (5):665\u201374. https://doi.org/10.1007/s00138-017-0844-4.", + "Calvo-Zaragoza, Jorge, Antonio Pertusa, and Jose Oncina. 2017. \u201cStaff-Line Detection and Removal Using a Convolutional Neural Network.\u201d Machine Vision and Applications 28 (5): 665\u201374. https://doi.org/10.1007/s00138-017-0844-4.", "Calvo-Zaragoza, Jorge, Antonio-Javier Gallego, and Antonio Pertusa. 2017. \u201cRecognition of Handwritten Music Symbols with Convolutional Neural Codes.\u201d In 2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR), 01:691\u201396. https://doi.org/10.1109/ICDAR.2017.118.", "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017a. \u201cA Machine Learning Framework for the Categorization of Elements in Images of Musical Documents.\u201d In Proceedings of the Third International on Technologies for Music Notation and Representation (TENOR 2017). La Coru\u00f1a, Spain. http://cloud.simssa.ca/index.php/s/NExq8IWkue2IjCH.", "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017b. \u201cOne-Step Detection of Background, Staff Lines, and Symbols in Medieval Music Manuscripts with Convolutional Neural Networks.\u201d In Proceedings of the International Society for Music Information Retrieval, 724\u201330. Suzhou, China. http://cloud.simssa.ca/index.php/s/JuPGmwlvAP9ckkR.", - "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017c. \u201cStaff-Line Detection on Grayscale Images with Pixel Classification.\u201d In Pattern Recognition and Image Analysis, edited by Lu\u00eds A. Alexandre, Jos\u00e9 Salvador S\u00e1nchez, and Jo\u00e3o M. F. Rodrigues, 279\u201386. Lecture Notes in Computer Science. Faro, Portugalpixel: Springer International Publishing. http://cloud.simssa.ca/index.php/s/tZswNa5gjwkoatf.", - "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017d. \u201cPixelwise Binarization of Musical Documents with Convolutional Neural Networks.\u201d In Proceedings of the 15th IAPR International Conference on Machine Vision Applications. Nagoya, Japan.", - "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017e. \u201cPixelwise Classification for Music Document Analysis.\u201d In 2017 Seventh International Conference on Image Processing Theory, Tools and Applications (IPTA), 1\u20136. Montreal, Canada. https://doi.org/10.1109/IPTA.2017.8310134.", + "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017c. \u201cPixelwise Binarization of Musical Documents with Convolutional Neural Networks.\u201d In Proceedings of the 15th IAPR International Conference on Machine Vision Applications. Nagoya, Japan.", + "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017d. \u201cPixelwise Classification for Music Document Analysis.\u201d In 2017 Seventh International Conference on Image Processing Theory, Tools and Applications (IPTA), 1\u20136. Montreal, Canada. https://doi.org/10.1109/IPTA.2017.8310134.", + "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017e. \u201cStaff-Line Detection on Grayscale Images with Pixel Classification.\u201d In Pattern Recognition and Image Analysis, edited by Lu\u00eds A. Alexandre, Jos\u00e9 Salvador S\u00e1nchez, and Jo\u00e3o M. F. Rodrigues, 279\u201386. Lecture Notes in Computer Science. Faro, Portugalpixel: Springer International Publishing. http://cloud.simssa.ca/index.php/s/tZswNa5gjwkoatf.", "Calvo-Zaragoza, Jorge, K\u00e9 Zhang, Zeyad Saleh, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017. \u201cMusic Document Layout Analysis through Machine Learning and Human Feedback.\u201d In 2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR), 02:23\u201324. Tokyo, Japan. https://doi.org/10.1109/ICDAR.2017.259.", "Calvo-Zaragoza, Jorge, and Jose Oncina. 2017. \u201cRecognition of Pen-Based Music Notation with Finite-State Machines.\u201d Expert Systems with Applications 72 (April):395\u2013406. https://doi.org/10.1016/j.eswa.2016.10.041.", - "Cumming, Julie. 2017a. \u201cDu Fay\u2019s Use of Improvisatory Techniques in Resvellies Vous et Faites Chiere Lye.\u201d Edited by Julie Cumming, Jesse Rodin, and Massimiliano Locanto. Composition and Improvisation in Fifteenth-Century Music, a Special Issue of the RATM (Rivista Di Analisi e Teoria Musicale) 17 (2):3\u201323.", + "Cumming, Julie. 2017a. \u201cDu Fay\u2019s Use of Improvisatory Techniques in Resvellies Vous et Faites Chiere Lye.\u201d Edited by Julie Cumming, Jesse Rodin, and Massimiliano Locanto. Composition and Improvisation in Fifteenth-Century Music, a Special Issue of the RATM (Rivista Di Analisi e Teoria Musicale) 17 (2): 3\u201323.", "Cumming, Julie. 2017b. \u201cSources and Identity: Composers and Singers in Darnton\u2019s Communications Circuit.\u201d In Sources of Identity: Makers, Owners and Users of Music Sources Before 1600. Turnhout, Belgium: Brepols.", "Gallego, Antonio-Javier, and Jorge Calvo-Zaragoza. 2017. \u201cStaff-Line Removal with Selectional Auto-Encoders.\u201d Expert Systems with Applications 89 (December):138\u201348. https://doi.org/10.1016/j.eswa.2017.07.002.", "Lewis, David, Kevin Page, and Andrew Hankinson. 2017. \u201cCapturing Context and Provenance of Musicology Research.\u201d In Proceedings of the Music Encoding Conference (2015-2017), 113\u201318. Tours, France: Music Encoding Initiative.", @@ -94,9 +121,9 @@ "Bell, Eamonn, and Laurent Pugin. 2016. \u201cApproaches to Handwritten Conductor Annotation Extraction in Musical Scores.\u201d In Proceedings of the 3rd International Workshop on Digital Libraries for Musicology, 33\u201336. DLfM 2016. New York, NY, USA: ACM. https://doi.org/10.1145/2970044.2970053.", "Brinkman, Andrew W., Daniel Shanahan, and Craig Stuart Sapp. 2016. \u201cMusical Stylometry, Machine Learning, and Attribution Studies\u202f: A Semi-Supervised Approach to the Works of Josquin.\u201d In Proceedings\u00a0 of\u00a0 the\u00a0 14th\u00a0 International\u00a0 Conference\u00a0 on\u00a0 Music\u00a0 Perception\u00a0 and\u00a0 Cognition, 91\u201397. San Francisco, CA, United States: ICMPC.", "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2016. \u201cDocument Analysis for Music Scores via Machine Learning.\u201d In Proceedings of the 3rd International Workshop on Digital Libraries for Musicology, 37\u201340. DLfM 2016. New York, NY, USA: ACM. https://doi.org/10.1145/2970044.2970047.", - "Calvo-Zaragoza, Jorge, Luisa Mic\u00f3, and Jose Oncina. 2016. \u201cMusic Staff Removal with Supervised Pixel Classification.\u201d International Journal on Document Analysis and Recognition (IJDAR) 19 (3):211\u201319. https://doi.org/10.1007/s10032-016-0266-2.", + "Calvo-Zaragoza, Jorge, Luisa Mic\u00f3, and Jose Oncina. 2016. \u201cMusic Staff Removal with Supervised Pixel Classification.\u201d International Journal on Document Analysis and Recognition (IJDAR) 19 (3): 211\u201319. https://doi.org/10.1007/s10032-016-0266-2.", "Lacoste, Debra, and Barbara Swanson. 2016. \u201cChants That Defy Classification: The Implications of Categorization in the Cantus Database.\u201d In Proceedings of the Music Encoding Conference (2015-2017), 73\u201378. Montreal, QC: Music Encoding Initiative.", - "Pedersoli, Fabrizio, and George Tzanetakis. 2016. \u201cDocument Segmentation and Classification into Musical Scores and Text.\u201d International Journal on Document Analysis and Recognition (IJDAR) 19 (4):289\u2013304.", + "Pedersoli, Fabrizio, and George Tzanetakis. 2016. \u201cDocument Segmentation and Classification into Musical Scores and Text.\u201d International Journal on Document Analysis and Recognition (IJDAR) 19 (4): 289\u2013304.", "Vigliensoni, Gabriel, and Ichiro Fujinaga. 2016. \u201cAutomatic Music Recommendation Systems: Do Demographic, Profiling, and Contextual Features Improve Their Performance?\u201d In Proceedings of the 17th International Society for Music Information Retrieval Conference, 94\u2013100. New York City, USA." ], "2015": [ @@ -124,7 +151,7 @@ "Lacoste, Debra, and Jan Kol\u00e1\u010dek. 2012. \u201cRenewal, Revival, Rejuvenation: A New Vision for the Cantus Database.\u201d In Cantus Planus: Study Group of the International Musicological Society - Papers Read at the 16th Meeting, Vienna, Austria, 2011, 202\u20139. Vienna: Verlag Br\u00fcder Hollinek." ], "2011": [ - "Helsen, Kate, and Debra Lacoste. 2011. \u201cA Report on the Encoding of Melodic Incipits in the Cantus Database with the Music Font \u2018'Volpiano.\u2019\u201d Plainsong & Medieval Music 20 (1):51\u201365.", + "Helsen, Kate, and Debra Lacoste. 2011. \u201cA Report on the Encoding of Melodic Incipits in the Cantus Database with the Music Font \u2018'Volpiano.\u2019\u201d Plainsong & Medieval Music 20 (1): 51\u201365.", "Lacoste, Debra. 2011. \u201cThe Cantus Database: Mining for Medieval Chant Traditions.\u201d In Digital Medievalist. Vol. 7. Barnard College.", "Vigliensoni, Gabriel, John Ashley Burgoyne, Andrew Hankinson, and Ichiro Fujinaga. 2011. \u201cAutomatic Pitch Detection in Printed Square Notation.\u201d In Proceedings of the International Society for Music Information Retrieval Conference, 423\u201328. Miami, FL.", "Vigliensoni, Gabriel. 2011. \u201cTouchless Gestural Control of Concatenative Sound Synthesis.\u201d Master\u2019s Thesis, Montreal, Canada: McGill University." diff --git a/lab_members/postdocs/junjun_cao/index.html b/lab_members/postdocs/junjun_cao/index.html index ee8bc13b..52b1caaf 100644 --- a/lab_members/postdocs/junjun_cao/index.html +++ b/lab_members/postdocs/junjun_cao/index.html @@ -143,7 +143,7 @@

Junjun Cao

-

Preferred name: Shaojun Si. Musicologist, Statistics Analyst, Music Publishing Agent,currently serving as Supervisor for Linked Data of LinkedMusic, within the Distributed Digital Music Archive and Library Laboratory, Music Technology Department, Schulich Music School; previously working as a music editor in China Federation of Literary and Art Circles Publishing House (2014-2018); Part-time Researcher of Chinese Music Research Base; Visiting Scholar at Intelligent Computing Laboratory for Cultural Heritage, Ministry of Education of China/China Wuhan University. Reviewer for the journal “Chinese Music” (Preprint Version), China Conservatory of Music. Member of Chinese Art Artificial Intelligence Society (2022-). Member of Chinese Art Artificial Intelligence Society (2022-). Editor-in-Chief of the “China Music Book and Audio-Visual Publishing Industry Development Report”, yearly (2016-2020).Etc.

+

Preferred name: Shaojun Si. Musicologist, Statistics Analyst, Music Publishing Agent,currently serving as Supervisor for Linked Data of LinkedMusic, within the Distributed Digital Music Archive and Library Laboratory, Music Technology Department, Schulich Music School; previously working as a music editor in China Federation of Literary and Art Circles Publishing House (2014-2018); Part-time Researcher of Chinese Music Research Base; Visiting Scholar at Intelligent Computing Laboratory for Cultural Heritage, Ministry of Education of China/China Wuhan University. Reviewer for the journal “Chinese Music” (Preprint Version), China Conservatory of Music. Member of Chinese Art Artificial Intelligence Society (2022-2025). Editor-in-Chief of the “China Music Book and Audio-Visual Publishing Industry Development Report”, yearly (2016-2020).Etc.

For Project Undertaken: